#Serious sam 2 cdkey pro#
#Serious sam 2 cdkey software#

Also, I really like the Massenburg MDW EQ for UAD. It sounds just like the hardware for the mix bus. The best UAD plug in for me is the SSL G Bus Compressor. There are some plug-ins that IвЂ™ve bought, such as the Culture Vulture or the API2500, that I hardly use, but theyвЂ™re excellent вЂ“ maybe IвЂ™ll try and work them in for my next tune. TheyвЂ™re pretty expensive but usually worth it. The Brookes Brothers have said the same вЂ“ another plug-in that is one of our favourites is Etch by FXpansion. I just always feel like IвЂ™ve had better results like that. In fact, I much prefer to get a solid tone on a synth for bass but then modulate it with external plug-ins. ItвЂ™s great for filtered chords and bass, too. ItвЂ™s still early days with it but you can come up with some mad modulations of sound. A friend of mine, Steve (who produces under the name Akas), recommended it to me, and they were in a Black Friday sale, so I felt I had to indulge. My latest purchase was the Shaperbox 2 bundle by Cableguys. I just miss those big music shops like Digital Village and Turnkey back in the day! WhatвЂ™s your latest plug-in purchase?

But plug-ins and DAWs have made music-making easy and affordable to enter now and I think that outweighs that silly nostalgia вЂ“ IвЂ™m not into elitism. I sometimes miss that special feeling that you had when we had hardware in the sense that if you owned a sampler back then, you were dead serious about your music because a sampler was big money back then. Is there anything else you miss about electronic music production from its earlier incarnation? IвЂ™m building a new studio at my house soon, and I want to have a separate corner with an all-hardware setup, like an S6000, Atari ST and a few synths. Luckily, IвЂ™ve got my head around it now, but I still swear that the Akai sounded better than the tools we have now. I hated all-digital productions at first вЂ“ I found it so different with the headroom and the way sounds distort.

#Serious sam 2 cdkey pro#

The rest of my career has been all in the box after moving into Logic Pro in 2002. I always look back to this golden era of producing when I was using an all hardware setup with an Akai S3000/5000 and an Atari ST, but that was only about four years of my career. How much has your process and workflow changed in that time? YouвЂ™ve been producing for quite some time now. A lot of the breaks and sounds are samples that IвЂ™ve been collecting for over 20 years, so thereвЂ™s always something to dig out of there. Slamming them through a drum bus with compression and limiting wasnвЂ™t really possible in the same way back in the 90s. Well, I didnвЂ™t have the sample CD with the horns on, so I had to track it down on Discogs, then find a CD drive to rip it вЂ“ remember those? A lot of the techniques come from the modern way of working: layering a few kicks and snares on top of each other but then using the classic breaks on top of that to give the drums some depth. What techniques did you employ to give it that vibe? Did the old sample CD have anything to do with it? WeвЂ™re surprised you still have your hands on it! A lot of those bass sounds from that time were made from the Akai SamplerвЂ™s test tones, so it was really inventive stuff and was a massive inspiration for us. ItвЂ™s always fun to reference those eras but with modern sonics so that it works in todayвЂ™s club sound systems. When we started this track with co-producer James Watts, we were referencing a lot of the dвЂ™nвЂ™b that we grew up on, like Prisoners of Technology and 2 Degrees by TNT вЂ“ these were the tunes that smashed it when we were out raving. Thank you very much! ItвЂ™s been one of the best experiences of my music being released so far yet. What made you go for a mid-90s dвЂ™nвЂ™b vibe with this one? Hey Danny! Congrats on the release of Selecta.

#Serious sam 2 cdkey software#

He also explains how his process has changed since he first started producing music, and which software he always sets up on his mastering bus. Danny explains why he was inspired by the jungle sounds of the mid-90s and how he used modern plug-ins to hark back to that era. READ MORE: My Forever Studio Podcast Episode 1: Danny ByrdвЂ™s unusual luxury itemД«ut how did Danny transform this arbitrary sound into a modern dance anthem? In this outing of Plug-ins I Actually Use, he lets us peer into his DAW and find out.This release sees Danny fuse his roots of UK garage, jungle, and early drumвЂ™nвЂ™bass, centred around a horn sample he found on a sample CD from the 90s. Now, heвЂ™s teamed up with legendary MC D Double E to release SelectaВ on Ministry Of Sound. The Bath-born producer and DJ is a titan of the UK scene, with abundant releases on the revered Hospital Records label that achieved him number 1 on the Dance Singles Chart, placement on the UK Top 40, numerous BBC R1 plays, a BBC R1 Essential Mix and more. If youвЂ™re even slightly into drumвЂ™nвЂ™bass, youвЂ™ll know Danny Byrd.